Leroy Tick and Silvia Kastel contribute field recordings to Daughter Of The Boot, a new release out now on Chocolate Monk. This collaboration by The Tenses + Bren’t Lewiis Ensemble features Oblivia and Ju Suk Reet Meate of Smegma, Lucian Tielens, Gnarlos, and The City Councilman.
On a gorgeous spring afternoon in the PacNW, there is no better way to spend it than inside a 420-square-foot windowless room rattling sleigh bells with your foot, dropping rubber balls onto a broken old bongo drum, spinning scratchy records backward by hand, and sputtering into a shenai steadily and slowly so that it sounds like you’re pushing a desk across the floor. Here is sixty-five minutes of spontaneous sound collage, bent improv, non-musical weirdness that resembles injured mammals on the verge of giving up, surprisingly delicate noise, and general quasi-cinematic clatter. The two pieces delivered here by these clunkmeisters — recording together for the first time — are rusty, crusty, dusty and musty epics in the tradition of groups such as Morphogenesis, Solid Eye, Taj Mahal Travellers, and early Zoviet-France. Cover art by Ace Farren Ford. Numbered edition of 80.
Free-Style
/in ArtA group art show bringing together the regions most exciting artists working on the edges and tensions of abstraction.
Curated by Liz Maugans.
Opening May 12 6-8pm
Running from May 12 through June 24, 2017
Zygote Press Gallery
1410 E.30th St.,
Cleveland, OH 44114
Works by:
Justin Brennan
David Cintron
Jamie Hart
Michael Lombardy
James March
Kelsey Moulton
Patrica Zinmeister Parker
Scott Pickering
Grace Summanen
The Tenses + Bren’t Lewiis Ensemble – Daughter Of The Boot
/in MusicLeroy Tick and Silvia Kastel contribute field recordings to Daughter Of The Boot, a new release out now on Chocolate Monk. This collaboration by The Tenses + Bren’t Lewiis Ensemble features Oblivia and Ju Suk Reet Meate of Smegma, Lucian Tielens, Gnarlos, and The City Councilman.
On a gorgeous spring afternoon in the PacNW, there is no better way to spend it than inside a 420-square-foot windowless room rattling sleigh bells with your foot, dropping rubber balls onto a broken old bongo drum, spinning scratchy records backward by hand, and sputtering into a shenai steadily and slowly so that it sounds like you’re pushing a desk across the floor. Here is sixty-five minutes of spontaneous sound collage, bent improv, non-musical weirdness that resembles injured mammals on the verge of giving up, surprisingly delicate noise, and general quasi-cinematic clatter. The two pieces delivered here by these clunkmeisters — recording together for the first time — are rusty, crusty, dusty and musty epics in the tradition of groups such as Morphogenesis, Solid Eye, Taj Mahal Travellers, and early Zoviet-France. Cover art by Ace Farren Ford. Numbered edition of 80.